π’ππππ₯ π’π π§ππ πππ¬!π
It is key to understand that β even with a long history β the English Opening is a hypermodern opening. White does not try to control the center early on with his pawns but spends some time fianchettoing his light-squared bishop. In many lines, White aims to control the center with his pieces, rather than his pawns.
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